Images from Iamdead by Elaine Shemilt pdf here.
Statement from The Video Show Catalogue, Serpentine Gallery, 1975 pdf here. …
“After having developed The Inevitability of Colour a stage further with Echo’s Revenge, I realised I had another step to go – I had to visualise the fascination that Narcissus had experienced whilst being enchanted by his own image – a punishment from Nemesis in response to the prayers from a youth whom Narcissus had spurned. Though initially predicating a feedback loop between Echo and Narcissus, I felt I should take my basic strategy of generating an image and sound track which having utilised a developed and therefore artificial grammar to produce meaning in the Inevitability of Colour, …
“In 1992 I went to Russia as a cinematographer to shoot two documentaries about the rise of the Orthodox Church during the demise of Communism. I found myself in Zagorsk, a holy place in Russia that epitomised this changeover of values in the Soviet federation. Onward to Leningrad (or Petrograd) as it was being renamed St Petersberg and more shooting and eventually I had gathered my own material to make a response to what I was seeing happen. …
Parts of this were shot in 1980 and 1981 – black and white, it all fits…
-Terry Flaxton
youtube link https://www.youtube.com/watch?v=Ex5OZWULpfQ …
Michael Craig Martin and Flaxton were given the challenge of finding a way to show the Lloyds Building in London in a new light – sometime around 1989.
Part of BBC2 Building Sites series
updatd April 2022 …
Directed by Terry Flaxton a 1988 short video history written and presented by John Wyver, using the Video Positive’89 Video festival and the Video Wall section as context. Broadcast as part of Granada Television’ Celebrations arts strand.
updatd April 2022 …
1982 and in the thick of the Thatcher destruction we were asked by the Campaign for Press and Broadcasting Freedom to examine the way that the media distorted the news – not because there was a conspiracy now or then, but because this is the lens that media people use when looking at the world – a set of values that they’ve taken on because that’s the entry fee to the profession. The BBC used this for some years to teach their reporters how not to do it – …
1979 – we had realised that all a documentary documents is the attitude of the maker to their subject at the time of making so set about creating a documentation of what was going on inside of as as we realised that money was needed to make art… Shortly after this we went to America to make Towards Intuition: An American Landscape- Terry Flaxton
youtube link https://www.youtube.com/watch?v=ZVQIk7VB9vg
updated April 2022 SP …
An episode of BBC series “Building Sites”
I was asked by the Beeb to be their video consultant (early days) but then we both realised they had very little video equipment outside of simple playback machines – quadruplex etc. So I gravitated into a role of making short projects about interesting buildings with interesting people. In this case the wonderful Beatrix Campbell.- Terry Flaxton
updatd April 2022 …