Programme for “Video Times”, 1984.pdf here.
Series of stills from “Video Times”, 1984 pdf here.
Poster for the exhibition “Video Times”, 1984.pdf here.
ACGB programme for Video Artists on Tour; 1985 pdf here.
Letter from Tate Gallery about proposal for Video Times 1983 pdf here.
“In the 1980’s he introduced a TV set as a stand-up comic in performances at the ICA, …
Press Release for the Tate gallery, Patrons of the New Art, Performance installation by Tina keane: “Faded Wallpaper”, 24th, 26th & 27th November 1988, London.pdf here.
Performance: Tina Keane, Michael O’Pray profiles Tina Keane’s career so far for Performance Magazine, 1988.pdf here.
VIDEOaktiv magazine: Magazin.Video-Galerie 1987 pdf here.
Poster for ‘Faded Wallpaper’ being shown at the Tate, London taken from publication Electronic Shadows, …
Postcard from ‘In our hands, Greenham’ 1984 pdf here.
‘Independent Media, Teaching Alternative Media – A Look At Alternative Film and Video Practice’ a preview of the conference by Steve Brooks which shows a screening of Tina Keane’s, ‘In Our Hands Greenham’, March 1987.pdf here.
Performance: Tina Keane, Michael O’Pray profiles Tina Keane’s career so far for Performance Magazine, 1988.pdf here.
Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, …
A sketch for the installation ‘Hopscotch’ pdf here. …
A short video piece from the late eighties, Atherton as The Sculptor describes a site specific work involving life-size models of rock climbers installed on a mountainside somewhere in the Yorkshire Dales. Atherton delivers an underplayed and almost believable monologue about the realization of the project, before laying bare the entire charade at the end of the piece when it is revealed that the monumental sculpture is in fact a small stone on the table top with miniature plastic figures glued to it. …
Poster advertising ‘SPECTRO’ an exhibition of works by Steve Hawley, Tina Keane and Steve Littman, Newcastle-upon-Tyne, October 8 – 29.pdf here
‘British/Canadian Video Exchange ’84: installations, performances and videotapes’, a brochure detailing the video exchange with information on participating artists and works, includes Keane’s ‘Demolition/Escape’.pdf here
Brochure/programme for the Video Installation Show 1983 Air Gallery, includes information on ‘Demolition/Escape. …
The installation was made possible by the ACGB and facilities, rigging, equipment and travel and subsistence by the Kitchen. The masters were transposed through a standards convertor to NTSC at a facilities house in New York with the advice and assistance of John Sanborn, a well known New York video artist who had been assistant to Nam June Paik, and whom the artist had met at the Biennalle de Paris in 1977. John had assisted Steve Partridge to shoot the Paris channel of “A Coincidence of Space” …
‘I was commissioned by the Paris Biennalle des Jeunes and the British Council to make an installation. They also chose “Stuart Marshall and many up-and-coming artists from Europe and the USA, including Marina Abramovic, and Laurie Anderson. I decided to make a work which used the rivers of London and Paris. Shooting on the Thames proved to be rather difficult as the Crown ‘owns’ the skyline of London! On the Seine a young artist from New York acted as my assistant – …
