A television newsreader recounts the minutiae of small-town life with due solemnity, but reveals a disturbing element of anarchic behaviour amongst the town’s old-age pensioners. …
The News (1980)
The Question is… Is this art? Is this entertainment?
Leaflet detailing information on the artist and recent works, including ‘The Question Is’.pdf here …
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The Room with a View
Description and explanatory information on video works: The Room wih a View, 1982. Exhibited at the Institute of Contemporary Art, …
The Sands of Time
“This piece began as a snatched phrase rattling around my head.
‘Footprints on the sands of time…’, had lodged itself in my mind until I had to find out where it came from, …
The Sermon (1983)
An increasingly manic diatribe in godspeak by a fundamentally unhinged priest who fulminates against the sins of the flesh.
A middle-aged Catholic priest fulminates in an increasingly grotesque manner on the thesis that “the inhumane imposition of law is obscene”. …
The Stream
Document detailing pieces for Re-Scan 1982, a short biography and information on recent works including The Stream.pdf here
Explanatory information on ‘The Stream’, …
The Television
ACGB programme for Video Artists on Tour; 1985 pdf here.
‘Starting from Scratch’, an article on Transmission Gallery’s ‘Glasgow Events Space’ …
The Undistributed Middle and Other Fallacies in the Home
Poster advertising video works exhibited at The Basement, Newcastle. Includes information on the work ‘The Fallacy of The Undistributed Middle’. …
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The Venus Tape
Catalogue and programme for ‘The Daylight Club’ pdf here. …
The Viewer’s Receptive Capacity
Document detailing Chris Meigh Andrews’ biography and description of the work The Viewer’s receptive capacity (with Gabrielle Brown), 1978, 25 and 34 mins. …