Description and explanatory information on video works: Horizontal and Vertical, 1978. Exhibited at the Institute of Contemporary Art, 1982.pdf here
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997.pdf here …
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‘Reflecting, A Video tape by Jeremy Welsh’ long statement – programme note, 1986. pdf here
Funding Application to ACGB regarding ‘Reflecting’ with drawings and diagrams, 1984. pdf here
Funding Application for ACGB Film/Video Upper Tier Award: [re ‘Three Video projects’, with drawings and diagrams of ‘Reflecting’, March 1986. pdf here
Jeremy Welshís Reflecting details from Directory, Independent Media Magazine, 1986. pdf here
Advert for Jeremy Welshís Reflecting tape 1986. …
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‘Tango. Fire and Plip-Plop’ (refers to Welsh’s labyrinths), Nik Houghton, Independent Media No.61, January 1987.pdf here
Jeremy Welshís Labyrinths details from Directory, Independent Media Magazine 1986. pdf here …
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‘TV aparato contra TV contenido’ El Columbiano, 13/09/86.pdf here.
‘Subverting Television – a three-part programme of British video art’, includes information on Jeremy Welsh’s ‘I.O.D’. pdf here
‘Voir Des Videos 84/85 – Wallonie, Bruxelles, Londres’. A selection of videotapes, including ‘I.O.D’, exhibited in Brussels and London as part of the 5th video art festival ‘Voir Des Videos’. pdf here …
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‘VideoForms’ promotional flier with review of ‘Immemorial’ installation, includes Welsh’s biography up until 1989. pdf here.
‘The Transit Zone: Projects and writings 1988-2003 by Jeremy Welsh’ – publication with information on the work ‘Immemorial’.pdf here …
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Drawing by Mineo Aayamaguchi for Kaleidoscope installation (1988).pdf here
ICA leaflet featuring Kaleidoscope (1988).pdf here
ICA postcard featuring Kaleidoscope (1988).pdf here
ICA Kaleidoscope booklet (1988).pdf here
Down The Tube double sided poster featuring Kaleidoscope (1988).pdf here
Video – Skulptur 1963-1989 featuring Mineo Aayamaguchi and Kaleidoscope.pdf here
R Y O 5 Japanese Sculptors Abroad Kaleidoscope excerpt . …
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