Interview of C.M.A by Cinzia Cremona. Includes information on the work ‘Perpetual Motion’.pdf here
Biography and statement of practice by C.M.A for the exhibition ‘Taped – An Exhibition of Video Art’, at Middlesbrough Art Gallery 3rd June – 8th July 1995. With mention of ‘Perpetual Motion’.pdf here
A booklet produced by Oxford photography detailing Chris Meigh-Andrews’ seven month residency at Oxford Brookes University starting in July 1994. …
Exhibition information on ‘Cross Currents’ part of the exhibition ‘River Crossings’, Camerawork, (The Caf» Gallery) London, April – May, 1993.pdf here
Article by Helen Sloan for Creative Camera (Edition Feb/Mar 1993) on the exhibition ‘River Crossings: Light and sound along the Thames’. Including the work ‘Cross Currents’. Exhibited in venues around the East End of London, 18/03/93 – 01/05/93.pdf here
Exhibition information for ‘River Crossings: Light and sound along the Thames’. …
Photographs of ‘Streamline’ 1991. Exhibited in Liverpool and commissioned by Blue Coat, New Art North West.pdf here
Photographs of the production of ‘Streamline’ 1991, and the final work exhibited in Liverpool and commissioned by Blue Coat, New Art North West.pdf here
Biography of C.M.A and exhibition information for the work ‘Streamline’ exhibited at Mercury Court, Tithebarn Street, Liverpool, 12 – 30 August 1991.pdf here
Article on Vortex, …
Leaflet detailing events from the 10 November to 1 December 1990 at The Harris Museum and Gallery, Preston. Including ‘Visions and Transmissions’ an exhibition including ‘Eau d’Artifice’, 1990.pdf here
Brochure detailing events for October-December 1990 at The Harris Museum and Gallery, Preston. ‘Visions and Transmissions, 3 New Video Installations’ an exhibition including ‘Eau D’Artifice’, 1990.pdf here
Document detailing selected artists’ work, exhibited at ‘Quick! A weekend of live art’, …
Document detailing pieces for Re-Scan 1982, including ‘Still Life with Monitor’, a short biography and information on recent works.pdf here
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997. Includes information on ‘Still Life with Monitor’.pdf here …
Continuum (1977) is the earliest existing video tape that I have made. Produced in collaboration with Gabrielle Bown, it is documentation of a two channel video work, intended to be “performed” using two separate video tape players and video monitors. The two tapes, started roughly in synch with each other were expected to drift out of synchronisation, the two prerecorded sequences progressively diverging, rendering the dialogue increasingly incomprehensible.
Chris Meigh Andrews
Early British video art differs from its American counterpart and British experimental film in that it is concerned less with identifying the specific properties of the medium than with analysing the conditions of viewing and the mechanics and shaping of perceptual and social space. …
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997.pdf here
Programme with information on works exhibited at ‘Cinematic Exploration – Expanding Screens 1960 – 1975’, January 25th – 30th 2004, Lumiere Cinema, including ‘Other Spaces’.pdf here …
Document detailing pieces for Re-Scan 1982, a short biography and information on recent works including ‘An Imaginary Landscape’.pdf here
Photograph of ‘An Imaginary Landscape’, 1986, exhibited at Gallery One One One, Anwerp, December 1991.pdf here
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997.pdf here
Programme with information on works exhibited at ‘Cinematic Exploration – …
Document detailing pieces for Re-Scan 1982, a short biography and information on recent works including On Being.pdf here
Short description of recent works including On Being.pdf here
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997. Includes information on ‘On Being’.pdf here
Programme with information on works exhibited at ‘Cinematic Exploration – …
