Sari Red

Sari Red

‘Electric Eyes’ – brochure detailing prominent video artists of the eighties, their work and screening times for videos at different locations in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Sari Red’.pdf here

Document detailing screening times for featured videos at different locations in Vienna: Medienwerkstatt Wien; Hochschule fur Angewandte Kunst; Filmhaus Stobergasse; Akademie der Bildenden Kunste, 22 – …

Measures of Distance

Measures of Distance

‘Electric Eyes’ – brochure detailing prominent video artists of the eighties, their work and screening times for videos at different locations in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Measures of Distance’.pdf here

Document detailing screening times for featured videos at different locations in Vienna: Medienwerkstatt Wien; Hochschule fur Angewandte Kunst; Filmhaus Stobergasse; Akademie der Bildenden Kunste, 22 – …

Avez-vous le temps? (Have you got the Time?)

Avez-vous le temps? (Have you got the Time?)

Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, performances and videotapes, Toronto, May – June 1984. Includes the work ‘Have you got the time?’pdf here

Video Screenings, Summary Video UK – Programme of video works from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, 1984. Includes the work ‘Have you got the time?’ …

Between the lines

Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, performances and videotapes, Toronto, May – June 1984. Includes the work ‘Between The Lines’.pdf here

Video Screenings, Summary Video UK – Programme of video works from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, 1984. Includes the work ‘Between The Lines’. …

B29 (Three Nights In)

B29 (Three Nights In)

‘B 29 (Three Nights In)’, text with video still, Ian Bourn, 1979. pdf here

‘Video Tapes by Ian Bourn’, Ian Bourn, 1979. pdf here

‘Ian Bourn: A Video Presentation’ programme, including ‘Lenny’s Documentary, ‘The End of The World’, B.29′ and ‘Wedding Speech’, ARE/Artists Collective. 14th March 1984. pdf here

‘Video Tapes by Ian Bourn’ programme, including ‘Lenny’s Documentary, ‘From The Junkyard’ and ‘B.29’, …

An American Romance

An American Romance

Performance video which parodies accepted notions of the exotic and the romantic.

Exhibition information for ‘Room with A View’ at The Photographers’ Gallery, London written by Chris Meigh-Andrews. Includes information on Marty St James’ An American Romance.pdf here

Flier for ‘Video Art’ 1983-87 (Including An American Romance) by Marty St. James and Anne Wilson, 1988.pdf here

In The Name Of The Gun

Programme with information on works exhibited at ‘Cinematic Exploration – Expanding Screens 1960 – 1975’, January 25th – 30th 2004, Lumiere Cinema, including ‘In the name of the gun’.pdf here

Art statement for ‘In The Name of the Gun’ 1987 4 mins, includes information on the production process, editing process and post production systems.pdf here

Stills from ‘In The Name of The Gun’, 1987.pdf here

Hannah’s Song

“Katherine Meynell (1954-, UK) examined notions of female subjectivity through the complexities of the mother-daughter relationship in two videotapes produced in the late 1980s – Hannah’s Song (1987) and Medusa (1988). Meynell, explores her subjective perspectives on multiple levels in these tapes, simultaneously reflecting on the mythological, the symbolic and the socio-political. In discussing the themes and impetus of the work, she has claimed that it was ‘the direct result of the confusion and paradoxes of my beliefs as a feminist’. …

Medusa

Electric Eyes – brochure detailing prominent video artists of the eighties, their work and video screenings in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Medusa’. pdf here

Electric Eyes – screening times for featured videos in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Medusa’. pdf here

‘The Television Workshop’, …

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