‘B 29 (Three Nights In)’, text with video still, Ian Bourn, 1979. pdf here
‘Video Tapes by Ian Bourn’, Ian Bourn, 1979. pdf here
‘Ian Bourn: A Video Presentation’ programme, including ‘Lenny’s Documentary, ‘The End of The World’, B.29′ and ‘Wedding Speech’, ARE/Artists Collective. 14th March 1984. pdf here
‘Video Tapes by Ian Bourn’ programme, including ‘Lenny’s Documentary, ‘From The Junkyard’ and ‘B.29’, …
Performance video which parodies accepted notions of the exotic and the romantic.
Exhibition information for ‘Room with A View’ at The Photographers’ Gallery, London written by Chris Meigh-Andrews. Includes information on Marty St James’ An American Romance.pdf here
Flier for ‘Video Art’ 1983-87 (Including An American Romance) by Marty St. James and Anne Wilson, 1988.pdf here …
Programme with information on works exhibited at ‘Cinematic Exploration – Expanding Screens 1960 – 1975’, January 25th – 30th 2004, Lumiere Cinema, including ‘In the name of the gun’.pdf here
Art statement for ‘In The Name of the Gun’ 1987 4 mins, includes information on the production process, editing process and post production systems.pdf here
Stills from ‘In The Name of The Gun’, 1987.pdf here …
“Katherine Meynell (1954-, UK) examined notions of female subjectivity through the complexities of the mother-daughter relationship in two videotapes produced in the late 1980s – Hannah’s Song (1987) and Medusa (1988). Meynell, explores her subjective perspectives on multiple levels in these tapes, simultaneously reflecting on the mythological, the symbolic and the socio-political. In discussing the themes and impetus of the work, she has claimed that it was ‘the direct result of the confusion and paradoxes of my beliefs as a feminist’. …
Electric Eyes – brochure detailing prominent video artists of the eighties, their work and video screenings in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Medusa’. pdf here
Electric Eyes – screening times for featured videos in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Medusa’. pdf here
‘The Television Workshop’, …
Electric Eyes brochure detailing prominent video artists of the eighties, their work and video screenings in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Electron’.pdf here
Electric Eyes – screening times for featured videos in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Electron’.pdf here
“The work [‘Television Circle’] consisted of a circle (about 20 feet in diameter) of seven identical large-screen televisions, …
Continue reading “Electron (Single Screen) / Television Circle (Installation)”
Electric Eyes brochure detailing prominent video artists of the eighties, their work and video screenings in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Factory’.pdf here
Electric Eyes – screening times for featured videos in Vienna, 22 – 25 November 1989, London Video Access and Film and Video Umbrella Touring Programme. Includes the work ‘Factory’.pdf here …
Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, performances and videotapes, Toronto, May – June 1984. Includes information on the work Tense/Shout (drowning in a sea of images).pdf here
Video Screenings, Summary Video UK – Programme of video works from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, …
Continue reading “Tense/Shout (drowning in a sea of images)”
Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, performances and videotapes, Toronto, May – June 1984. Includes information on the work ‘Still Life No 1’.pdf here
Video Screenings, Summary Video UK – Programme of video works from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, 1984. Includes the work ‘Still Life No 1’. …
New Contemporaries catalogue, an exhibition of work by selected UK fine art students including Catherine Elwes’s ‘Cate and Shauna Play Quietly’ (Performance). The Institute of Contemporary Arts, Nash House, the Mall, London, 1979.pdf here …
