‘A live interactive installation (using no recording equipment) which, as the participant moves through, progressively separates and distances his/her image from its origin.’ David Hall 1974
‘Many early installations were devised as a complex analogical mirror where the viewer, interacting with his/her image as collaborator rather than spectator, was simultaneously the viewed in a process of ‘self-referring consciousness’. It is quite evident here that artists were intent on exploring relationships of hitherto unapproachable psychological innovation and response, …
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Leaflet advertising a weekend of video events at Serpentine Gallery, London. Includes a screening of Steve Littman’s ‘Crisps’.pdf here
Stills from Crisps, 1980, 4 mins.pdf here
Art statement for ‘Crisps – 1980 4 mins’, includes information on the production process, editing process and post production systems.pdf here …
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Postcard for ‘Neon Diver’, 1990 pdf here.
‘Neon Diver’, British Films 1991 pdf here. …
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Announcement of the transmission of John Latham’s Video works for Channel Four television’, Annalogue, 1984. pdf here
Riverside Studios ‘Dadarama & Ian Breakwell’s Diaries’ – Artists’ works for Channel 4 Television, 1985. Featuring Target pieces by John Latham. pdf here …
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“The film and video artist Malcolm Le Grice (1940-, UK) has written about the issues raised by the emergence of the non-linear manipulation and its implications for film and video from ideas that have emerged from his own fine art practice, including a sustained period of working with accessible digital technology. In work such as Arbitrary Logic (1986), Sketches for a Sensual Philosophy (1988) and Digital Still Life (1989), Le Grice worked with inexpensive home computers (initially the Sinclair Spectrum and the Atari) to explore the potential of the digital and its implications for moving image within a fine art context.” …
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‘The Independents’ – Co-presented by The Art gallery of Ontario and Cinematheque Ontario. Programme of events including a talk by Malcolm LeGrice and screening of ‘Digital Still Life’.pdf here
Stills from the video work ‘Digital Still Life’.pdf here …
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Echoes, B&W publicity postcard, 2000.pdf here
Echoes Article 1988 by Nik Hougton. pdf here …
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Press Release for the Tate gallery, Patrons of the New Art, Performance installation by Tina keane: “Faded Wallpaper”, 24th, 26th & 27th November 1988, London.pdf here.
Performance: Tina Keane, Michael O’Pray profiles Tina Keane’s career so far for Performance Magazine, 1988.pdf here.
VIDEOaktiv magazine: Magazin.Video-Galerie 1987 pdf here.
Poster for ‘Faded Wallpaper’ being shown at the Tate, London taken from publication Electronic Shadows, …
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