Everything Must Go / Dichotomy

Exhibition Flyer for “Everything Must Go”, 2003. pdf here.

Exhibition Brochure for “Dichotomy”, part of the touring exhibition “Everything Must Go”, 2003.pdf here.

Exhibition Flyer for “Dichotomy”.pdf here.

“The Bonington Gallery” brochure, 2003.pdf here.

Description of Sinden’s work ‘Everything Must Go’ indicating date and site of the exhibition; entitled ‘Reception for the artist’.pdf here.

Display-Displaced (1981)

‘The installation was installed in a large display window at the Ikon. The colour receivers rested on a plinth tilted at approx 45 degrees. A pre-recorded tape replayed images of a woman’s legs, walking in the frame from left anmd then to the right continuously. The camera is also tilted at 45 degrees and tracks the movement of the woman, holding her legs in mid-frame and thus dissecting the screens. Every 2 minutes the colour changes as the legs’ …

Cumbrae Clyde

Cumbrae Clyde

Commissioned by Channel 4 TV, Cumbrae Clyde was one of the “Dadarama” series of six works. In the 4th Century B.C. Plato, as the first artists, after the invention of the Greek alphabet, to understand precisely the limiting conditions of his medium, declared a State of Division on which no improvement has been made since. It amounts to a specification for the Divided State Scociety, the end result of which is only too clearly visible in the international condition one looks at today. …

An Illogical Trilogy

Video Roma 82/83 – programme, including information on Steve Hawley’s ‘An illogical trilogy’.pdf here

‘2nd National Independent Video Festival, IVA at ICA’, June 1982, with details of screenings of works, including Hawley’s ‘An Illogical Trilogy’.pdf here

A certificate stating that Steve Hawley’s ‘An Illogical Trilogy’ was screened at the 1st International Video Festival, June – July 1982, London.pdf here

19:4:90 TV Interventions

The TV Interventions project signals the end of the period of investigation for REWIND. The series for Channel 4 references David Hall’s TV Interruptions of 20 years before, as the 4 minute clips intervened in Channel 4’s schedule over an Easter weekend in 1990. Nineteen works were produced by Fields & Frames Productions and Anna Ridley from artists including David Mach, Ron Geesin, Rose Garrard, Bruce Maclean, and Alistair Maclennan.

The Television Interventions Catalogue, …

Granny’s Is

This experimental documentary about the director’s grandmother was shot over a ten-year period, creating an unexpected and powerful portrait of old age. Remembering an old woman in fragmented and alienated associations. The attempt to find one’s own history in the image of the late grandmother. An attempt also to bridge the gap between a sentiment and its linguistic form with the means of video aesthetics. A radically experimental work.
– David Larcher

Web page (Perspective) with descriptions of David Larcher’s films, …

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