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Continue reading “1993 London Film Festival Leaflet, featuring Work, Rest and Play”
1993 London Film Festival Leaflet, featuring Work, Rest and Play
2 pages from an Arts Council of Great Britain: brochure, featuring the live installation/ video work ‘The Swing/Alice through Reflection’ 1978
24 di No stop Theatre: Essay by L. Giaccari on his experience with videotape. Chapter from “Elettroshock”, exhibition catalogue (Rome, 2001), curated by Bruno Di Marino, Castelvecchi Arte, Rome 2001, pp. 36-40
Essay by L. Giaccari on his experience with videotape. Chapter from “Elettroshock”, exhibition catalogue (Rome, 2001), curated by Bruno Di Marino, …
24 Minute Retrospective in Two Parts private view invite
Scan of front and back of a private view invite to A Twenty-four Minute Retrospective in Two Parts on Saturday 5th June at 8pm, …
Continue reading “24 Minute Retrospective in Two Parts private view invite”
3:4: Explanatory information on the work: 3:4, with Gabrielle Bown, 1978-79, written by Chris Meigh-Andrews
Explanatory information on the work: 3:4, with Gabrielle Bown, 1978-79, written by Chris Meigh-Andrews …
5 Video Environment: Document of ‘Video Works realised between February 1976 – June 1979’, Elsa Stansfield, 1979.
‘Video Works realised between February 1976 – June 1979’, Elsa Stansfield, 1979. …
5th Junior Dublin Film Festival, Irish Film Centre, UCI Tallaght, UCI Coolock, Dublin 14th-25th November 1994
5th Junior Dublin Film Festival, Irish Film Centre, UCI Tallaght, UCI Coolock, Dublin 14th-25th November 1994
6 Video Tapes: ‘Art after Physics’ programme, London Film Makers Co-op, 1991
‘Art after Physics’ programme, London Film Makers Co-op, 1991 …
Continue reading “6 Video Tapes: ‘Art after Physics’ programme, London Film Makers Co-op, 1991”
8 x 8 x 8: Information on the installation 8x8x8, for the Video Show, Tate Gallery, London, 1976. Document written by S.Partridge, May 1976.
“There is a characteristic of video which is peculiar to itself: camera switching. The importance of mixing/switching seems to have been overlooked in most analysis of video aesthetics; …