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‘Videotapes by British Artists’. Cover of Catalogue – Galleria del Cavallino, San Marco Venezia’, a programme of videotapes and installations, 1977.
Article from Studio International, 1976 – Krikorian describes the role of the monitor in video practice.
Catalogue Entry from “Artists Video 1976′ Biddick Farm Arts Centre, includes information on ‘Disintegrating Forms’ and ‘Breeze’ by Tamara Krikorian
‘Breeze’ and ‘Disintegrating Forms’ were both designed as multi-screen installations. Breeze consists of four TV monitors placed side by side, showing four different shots of water, the camera being placed and allowed to run for ten minutes in each case. Tapes 2 and 3 are shown here. Close up shots of water appear to relate to the surface of the screen, giving the illusion of a TV set containing water. In 2, rapid movements of the water relates to the scan line. …
‘Disintegrating Forms’ text about the work written by Tamara Krikorian for the ‘The Video Show’, Tate Gallery, 1976
‘An Ephemeral Art, an installation by Tamara Krikorian’, article written by Krikorian in March 1979, includes information on her work ‘Disintegrating Forms’
‘Breeze’: Poster for the 10th Paris Biennale, c.1980.
Poster for the 10th Paris Biennale, includes information on Krikorian’s ‘Breeze 2 and 3’ …
Continue reading “‘Breeze’: Poster for the 10th Paris Biennale, c.1980.”
‘Breeze’:Article from Studio International, 1976 – Krikorian describes the role of the monitor in video practice.
Article from Studio International, 1976 – Krikorian describes the role of the monitor in video practice – with information on her works Breeze 2 and 3 …
‘Breeze’: Catalogue of Biddick Farm Artists Video 1977.
Catalogue of Biddick Farm Artists Video 1977, includes information on ‘Breeze 2&3’ by Tamara Krikorian. …
Continue reading “‘Breeze’: Catalogue of Biddick Farm Artists Video 1977.”
‘An Ephemeral Art’: Stills of the installation, 1979
Stills of the installation ‘An Ephemeral Art’ …
Continue reading “‘An Ephemeral Art’: Stills of the installation, 1979”
‘An Ephemeral Art’: Poster advertising ‘The heart of the illusion: Landscape, still life and self-portrait. Tamara Krikorian Installation for three video monitors and mirrors’. IKON gallery, 7 – 28 March 1981.Includes information on ‘An ephemeral art’
Leaflet advertising ‘The heart of the illusion: Landscape, still life and self-portrait. Tamara Krikorian Installation for three video monitors and mirrors’. IKON gallery, 7 – 28 March 1981.Includes information on ‘An ephemeral art’ …