“Cutting the image down into rhythmic clusters, isolating the fragment from its original real-time context and remixing it, Partridge pushed against the time barrier which he further broke in such large scale pieces as Interrun, 1989, a decade later. In some ways, he was in parallel with Cunningham’s own fusion of live and recorded sound, devising ways of sampling long before the technology was available or even named.

Installation shot at TATE Liverpool

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Continue reading “Interrun (1989 – 34 monitor video wall version)”