“As a prizewinner in the Westward TV Open Art Competition, (film & video) I participated in an edition of the Westward TV monthly arts program, Spectrum, which included the screening of 5 minutes from ÎLaughÌ. The discussion that followed included Mike Leggett, Rod Allen (editor of Broadcast magazine), Clive Gunnel (Westward TV anchor man) and a Westward TV presenter. This encounter with broadcast television led to the subsequent publication of ÎWayward Action!Ì, a report on the whole sorry affair.” …
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The artist approaches a young heifer in a field, the cow turning and retreating over a stream. …
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“The artist describes the objects and views he sees behind the camera (which the audience cannot see.” Mike Leggett …
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“A voice is heard telling a story. (It is the artist reading from Erota/Afini, the book of the film by Mike Leggett.) The camera pans down to reveal a tape recorder, which the artist then switches off, the voice ceasing. The camera is panned toward a chair in front of a tv set, which is framed and the camera locked off. The artist then sits in the chair: “ThatÌs enough of watching the radio and listening to the telly, …
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‘The Bristol Bands Newsreel’, Artist’s production notes, 1980. pdf here …
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This work is compilation of the following:
1. ÎSwitch onÌ of the Portapak including momentary physical manipulation of the tape over the record head, producing breakup in the image. (This image is later photographed from the screen to be used to illustrate the article ÎInterferenceÌ, written for the Studio International Video issue.) Title of the compilation follows, then a sequence walking outside the house into the exterior garden, viewing the Portapak on the artistÌs shoulder, …
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“Abstraction and the ÎmaterialÌ image, as a recorded projection installation.” Mike Leggett
Plans for shooting the tape ‘The Heart Cycle’ c. 1973/4. pdf here …
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‘And yet’ statement on video trilogy 1991-3, Jeremy Welsh, Trondheim Intermedia Kunstakademiet, 1993. pdf here
Flier for ‘Words and images’ Moderna Museet, Stockholm, April 1993. pdf here …
Continue reading “And Yet.. Part 1: Pause”
New Contemporaries catalogue, an exhibition of work by selected U.K fine art students including Catherine Elwes’s ‘Two Drawings on Glass’ (Video). The Institute of Contemporary Arts, Nash House, the Mall, London, 1979.pdf here …
Continue reading “Two Drawings on Glass”