Fast Forward

Fast Forward

‘Alternative Television – contemporary video artists presenting their own work’. A selection of videotapes presented by the artists at the Northampton Arts Centre January 1984. Includes Mori’s ‘Fast Forward’.pdf here

Mother – Son

Leaflet advertising LVA SHOWS 1985 – Double Vision, includes a screening of Steve Littman’s ‘Mother – Son’ on 6th February 1985 at London Video Arts.pdf here

Information on ‘Double Vision’, a screening of Steve Littman’s ‘Mother – Son’ on 6th February 1985 at London Video Arts.pdf here

Art statement for Mother – Son 1983, 10 mins includes information on the production process, editing process and post production systems. …

Implied Statement II

“A year on from Implied Statement and I was asked to give a talk on video at the Tate Gallery, I decided to make a new piece to accompany this talk but found myself bereft of ideas. Nevertheless I had time booked in a colour studio and somewhat in desperation I decided to remake Implied Statement trying to eliminate what I saw were flaws in the original. while Implied Statement II does not constitute a significant advance from the first version it went a bit more smoothly and provides, …

I want

Poster advertising ‘SPECTRO’ an exhibition of works by Steve Hawley, Tina Keane and Steve Littman, Newcastle-upon-Tyne, October 8 – 29. Including Litmman’s work ‘I want’.pdf here

Photographs of ‘I Want’, installed at SPECTRO gallery, Newcastle, 1983.pdf here

In Re Don Giovanni

In Re Don Giovanni

‘2nd National Independent Video Festival, IVA at ICA’, June 1982, with details of screenings, including Jeremy Welsh’s ‘In Re Don Giovanni’.pdf here

‘Alternative Television – contemporary video artists presenting their own work’. A selection of videotapes presented by the artists at the Northampton Arts Centre January 1984. Including Welsh’s ‘In Re Don Giovanni’.pdf here

Programme of screenings during The 1984 Ottawa International Festival of Video Art – …

The Fashion Show

The initial inspiration of this early work by VIDA (Flaxton, Cooper and Deadman) was in fact a critique of fashion and the fashion industry (to also be seen in ‘Talking Heads, 1978/9). Having described the back stage and hidden act of preparing what was to be paraded on the catwalk in a monochrome style (blue and white as opposed to the more familiar black and white), Vida with several other notable makers (Theo Eshetu for instance), …

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