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‘Ian Breakwell: EXCERPTS FROM THE DIARY, Videotape, b&w, mono sound, 1975’, text about the work written by the artist in 2001
Leaflet advertising a weekend of video events at Serpentine Gallery, London. Includes a screening of Marc Chaimovicz’s ‘Partial Views of an Interior’
Fabulous Silence – Asset 1
Flier/poster, ‘Rotatory’, The Video Show, Serpentine Gallery, 1975
A type-written description of different works by Tony Sinden
Programme with information on works exhibited at ‘Cinematic Exploration – Expanding Screens 1960 – 1975’, January 25th – 30th 2004, Lumiere Cinema, including ‘Prisoners
Information leaflet for performance ‘Partial Eclipse’; (1981)
‘Blue Monday’: Flier for the screening of ‘Blue Monday’ at ‘The Days After’, an event in support of the miners during the 1984-85 strike.
“Blue Monday by Rik Lander (1960-, UK) and Peter Boyd Maclean (1960-, UK), known collectively as the Duvet Brothers, juxtaposes images of affluence, privilege and prosperity (for example, men in top hats, school boys attending Eton, a man lighting a cigar with a five-pound note, the Royal family etc.) against images of fascism (Oswald Mosley and the black-shirts’, police fighting with protesters at a political demonstration, and so forth). This is followed by by a full-screen text graphic ‘Rich Get Richer … …
‘Blue Monday’: ‘Scratching Deeper’, article on scratch video by Michael O’Pray.
“Blue Monday by Rik Lander (1960-, UK) and Peter Boyd Maclean (1960-, UK), known collectively as the Duvet Brothers, juxtaposes images of affluence, privilege and prosperity (for example, men in top hats, school boys attending Eton, a man lighting a cigar with a five-pound note, the Royal family etc.) against images of fascism (Oswald Mosley and the black-shirts’, police fighting with protesters at a political demonstration, and so forth). This is followed by by a full-screen text graphic ‘Rich Get Richer … …
Continue reading “‘Blue Monday’: ‘Scratching Deeper’, article on scratch video by Michael O’Pray.”
‘Blue Monday’: Unidentified interview with ‘New Order’ with reference to Duvet Brothers’ ‘Blue Monday’, undated.
“Blue Monday by Rik Lander (1960-, UK) and Peter Boyd Maclean (1960-, UK), known collectively as the Duvet Brothers, juxtaposes images of affluence, privilege and prosperity (for example, men in top hats, school boys attending Eton, a man lighting a cigar with a five-pound note, the Royal family etc.) against images of fascism (Oswald Mosley and the black-shirts’, police fighting with protesters at a political demonstration, and so forth). This is followed by by a full-screen text graphic ‘Rich Get Richer … …