Programme of ICA June 1984 events, screenings etc. Including ‘Tuesday Screening, Summary Video UK’ – video works drawn from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, 1984. …
Continue reading “ICA, Gallery, Cinema, Theatre, Events – June 1984”
Video Screenings, Summary Video UK – Programme of video works from Recent British Video Exhibition, Toronto March ’84. Presented for the first time at the ICA Cinematheque, The Mall, London, 1984. …
Continue reading “Video Screenings, Summary Video UK, ’84, ICA Cinematheque”
Programme and explanatory information on video and performance works exhibited as part of the British/Canadian Video Exchange ’84: Installations, performances and videotapes, Toronto, May – June 1984. …
Continue reading “‘British/Canadian Video Exchange ’84: installations, performances and videotapes’ Catalogue 2/22”
New Contemporaries catalogue, an exhibition of work by selected U.K fine art students including C.M.A’s The Viewer’s Receptive Capacity, 3:4, and C.E’s Ceremony of blessing for a new living space, Cate and Shauna Play Quietly (Performance) and Two Drawings on Glass (Video). The Institute of Contemporary Arts, Nash House, the Mall, London, 1979. …
Continue reading “The New Contemporaries Exhibition 1979, ICA, February 20 to March 4”
A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997. Includes information on ‘An Imaginary Fountain’ …
Continue reading “‘An Imaginary Fountain’: A black and white publication of text and images, detailing the work of Chris Meigh-Andrews, between 1978 and 1997.”
New Contemporaries catalogue, an exhibition of work by selected U.K fine art students including C.M.A’s 3:4. The Institute of Contemporary Arts, Nash House, the Mall, London, 1979 …
Continue reading “New Contemporaries catalogue, an exhibition of work by selected U.K fine art students including C.M.A’s 3:4. The Institute of Contemporary Arts, Nash House, the Mall, London, 1979”