Tir Na Nog

“Much of my work is based on Celtic culture. I consider it important to be aware of one’s cultural heritage in order to provide a sound foundation for coping with life in a society that continually swamps one with new influences and concepts. Early Celtic art and science was very concerned with the elemental forces of radiant energy and magnetism – the same energies that make up the video image. Tir Na Nog is one of the mysterious ‘Isles of the Blest’ …

Drift

‘Video Screenings’ (with Wendy Brown) programme, ICA, 1981. pdf here

‘Brian Hoey’ Film and Video Artists on tour card, 1985/86. pdf here

‘Brian Hoey’ Film and Video Artists on tour card, February 1980. pdf here

Funding Application for £2000 video bursary – Oct. 1979. pdf here

vide0voidTexT

“The video surfs on the interface between sense/nonsense. The point of departure is the space between an unsynchronized signal. From here it produces itself through the mirror effect of self-reflection. The ‘Deadline’ takes its last breath, which is just enough for the transit of a floating significant. Through their conscious use, the ‘void’ of such phenomena as drop-outs and misguided chromonance signals suddenly turns into an image ‘texture’ that constitutes meaning. Out of the hiss of false information – …

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