Do You Remember This Movie?

Do You Remember This Movie?

An intensely lyrical sequence. A movie in the video to create a tunnel through
memory. An alphabet pronounced by a sweet voice in which every letter corresponds to a word whose emotional suggestiveness creates associations with childhood, its ancestral significance, its dreams, its magic, its mystery, its nonsense. – L Viola …

Temporidentitás

Temporidentitás

Carolina, Vincenzo and I duplicate our reflection an endless number of times, as if one were mirrored in the other. Material time and psychological time blend in an exhausting oriental repetition of gestures. – L Viola …

Taking Place

Taking Place

In this case taking place means changing places, a complete and mutual
transformation, as is seen in the eternal contrast between bios and thanatos. In the video changing places becomes a moment of identification, favored by the ambiguity of a date, 1949 which is the only element two people have in common, since one of them died and the other was born in that year. – L Viola

Catalogue of an exhibition organized at Galleria del Cavallino in February 1975. …

Fall and Loss of a Dear Family

Fall and Loss of a Dear Family

The magic moment of an image and the emotion aroused following the suggestion of an imaginary itinerary, that makes the real world seem strange and far away are suddendly interrupted by words belonging to the language of bureaucracy, the most conventional language possible. – L Viola

Catalogue of an exhibition organized at Galleria del Cavallino in February 1975. It includes an essay by Ernesto Francalanci on the possibilities of videotape. pdf here

Identity as Identification

Identity as Identification

The magic moment of an image and the emotion aroused following the suggestion of an imaginary itinerary, that makes the real world seem strange and far away are suddendly interrupted by words belonging to the language of bureaucracy, the most conventional language possible. – L Viola

Catalogue of an exhibition organized at Galleria del Cavallino in February 1975. It includes an essay by Ernesto Francalanci on the possibilities of videotape. pdf here

Diario pubblico e segreto (Public and Secret Diary)

Diario pubblico e segreto (Public and Secret Diary)

A walk through the streets of the city.
Work on the edge of a paradox, because it touches on the problem of ideology in its own more ambiguous boundaries, hovering between the message of proselytizing and critical reflection, including the assumption of public responsibility by the artist – here he becomes almost a peaceful militant and political agitator, well beyond his role – and the ìsecretî size of the politics as entirely subjective passion and enthusiasm for life, …

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